By Noriko Takeda
In its overseas and cross-cultural evolution, the modernist flow introduced the main awesome achievements within the poetry style. via their fragmented mode through semantic scrambling, the modernist poems search to embrace an indestructible cohesion of language and artwork. for you to elucidate the importance of that «essential» shape in capitalistic instances, A Flowering be aware applies C. S. Peirce’s semiotic conception to the important works of 3 modern writers: Stéphane Mallarmé’s past due sonnets, T. S. Eliot’s 4 Quartets, and the japanese prefeminist poet, Yosano Akiko’s Tangled Hair.
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Extra info for A Flowering Word: The Modernist Expression in Stéphane Mallarmé, T. S. Eliot, and Yosano Akiko (Currents in Comparative Romance Languages and Literatures, Volume 67)
26 According to Peirce’s monistic view, “synechism” and “agapasticism,” or “agapism” (see Papers 6: 86), may be seen as virtually synonymous. Chapter 2 The Japanese Reformation of Poetic Language: Yosano Akiko’s Tangled Hair as Avant-Garde Centrality Spring is short— How could we believe Our life to be imperishable? I let him grope for My full breasts with his hands. 1 from Tangled Hair by Yosano Akiko (1878–1942) The Birth of the Tanka For more than 1000 years in Japan, the Waka (Japanese Song) has continuously applied its restricted frame of 31 syllables to the blooming of poetry.
Such restricted formality assimilates their efforts; through the brush, they transmit their creative energy to the syllabic letters that give back further inspiration to the poets with the evoked intertexts in the same Waka form. The writing of the 31-syllable poems realizes the cosmic union in an eternal cycle that involves the author, ink, 50 The Japanese Reformation of Poetic Language objects, nature, space, time, and reader. The force from the author as a provisional starting point should break through all apparent distinctions in the diversified cosmos.
That have grown out of the metaphors of the poem. . (209–10) Umberto Eco grasps the extensive meaning of the word in the image of a wheel turning around a fixed hub (Semiotics 162–63). 18 For the concept of “kernel word,” see Riffaterre 168–69. 19 See Lotman 86–87, 165, 168, and 185. 20 According to Peirce’s pragmatism: It is a very common idea that a demonstration must rest on some ultimate and absolutely indubitable propositions. These, according to one school, are first principles of a general nature; according to another, are first sensations.
A Flowering Word: The Modernist Expression in Stéphane Mallarmé, T. S. Eliot, and Yosano Akiko (Currents in Comparative Romance Languages and Literatures, Volume 67) by Noriko Takeda