New PDF release: Apocalypse and After: Modern Strategy and Postmodern Tactics

By Bruce Comens

    Apocalypse and After examines the advance of Modernism into Postmodernism because it happens within the works of 3 significant poets and attends heavily to the social and political dimensions of that improvement as embodied in those writers’ specified poetics. Modernism’s fight to enhance a brand new worldwide approach used to be to a superb volume a reaction to the disaster of worldwide battle I, whereas the Postmodern lodge to fragmentary strategies stems from the failure of Modernist process either to ward off international warfare II and to come back to phrases with the horror of the atomic bomb.

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Extra resources for Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky

Sample text

As corrective, it is useful to recall that in her last work, written in 1946, Gertrude Stein professed complete indifference, beginning "they asked me what I thought of the atomic bomb. I said I had not been able to take any interest" (Reflection 161). Titled "Reflection on the Atomic Bomb," the piece in fact exemplifies and in a sense justifies Stein's refusal to engage in strenuous, "serious" reflectionsa refusal begun by the title's insistence on literal reflections, both visual ("-on", "on"; "-om-", "-om-") and, with suitable nurseryrhyme accent, aural ("reflection on""atomic bomb").

They can all too easily dwarf, blot out, ''our lives," in discourse as on earth. As corrective, it is useful to recall that in her last work, written in 1946, Gertrude Stein professed complete indifference, beginning "they asked me what I thought of the atomic bomb. I said I had not been able to take any interest" (Reflection 161). Titled "Reflection on the Atomic Bomb," the piece in fact exemplifies and in a sense justifies Stein's refusal to engage in strenuous, "serious" reflectionsa refusal begun by the title's insistence on literal reflections, both visual ("-on", "on"; "-om-", "-om-") and, with suitable nurseryrhyme accent, aural ("reflection on""atomic bomb").

Copyright © 1976 by the Trustees of the Ezra Pound Literary Property Trust. CONFUCIUS: THE GREAT DIGEST, THE UNWOBBLING PIVOT, THE ANALECTS. Copyright © 1947, 1950 by Ezra Pound. POUND/ZUKOFSKY. Copyright © 1981, 1987 by the Trustees of the Ezra Pound Literary Property Trust. Page x EZRA POUND AND THE VISUAL ARTS. Copyright © 1926, 1935, 1950, 1962, 1970, 1971, and 1980 by the Trustees of the Ezra Pound Literary Property Trust. GAUDIER-BRZESKA. Copyright © 1970 by Ezra Pound. GUIDE TO KULCHUR. Copyright © 1970 by Ezra Pound.

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Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky by Bruce Comens


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