By Bruce Zuckerman, Jeremy Schoenberg
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Extra info for Casden Institute for the Study of the Jewish Role in American Life: An Annual Review
But one is not left the less uncomfortable. (33–34) The length of Eliot’s shadow over the Jewish literary imagination (if it is possible to speak of such a thing) may be gauged by its appearance at the late date of 1994 in Harold Bloom’s grand survey, The Western Canon. There, Bloom saw fit to meditate upon Eliot’s peculiar description of Montaigne: Montaigne, Eliot assures us, was “a fog, a gas, a fluid, insidious element,” which must surely be the oddest description of Montaigne ever attempted.
New York Times April 22, 1934. New York Times April 30, 1934. New York Times May 1, 1934. New York Times Dec. 30, 1934. New York Times Oct. 18, 1936. New York Times Sept. 26, 1937. New York Times Nov. 30, 1938. New York Times Dec. 11, 1938. New York World Telegram May 3, 1937. Normand, Mabel. ” Photoplay (Aug 1913). Nugent, Elliot. Oral History, November 1958, p. 53. Popular Arts Project, Columbia University Oral History Program, Special Collections Department, Columbia University. O’Connor, J.
Radicalism in American Silent Films, 1909–1929: A Filmography and History. Jefferson, NC and London: McFarland and Company, 2000. Slayton, Robert. Empire Statesman: The Rise and Redemption of Al Smith. New York: Free Press, 2001. Sloan, Kay. The Loud Silents. Urbana: University of Illinois Press, 1988. Snow, Nancy. ” In Martin Kaplan and Johanna Blakley, eds. Warners’ War: Politics, Pop Culture & Propaganda in Wartime Hollywood. Los Angeles: The Norman Lear Center Press, 2004. South Bend Tribune May 14, 1939.
Casden Institute for the Study of the Jewish Role in American Life: An Annual Review by Bruce Zuckerman, Jeremy Schoenberg