By Michael Greaney; Palgrave Connect (Online service)
Modern Fiction and the makes use of of thought is a learn of the reception and illustration of serious idea in literary fiction because the Sixties. regardless of its popularity because the bete noire of artistic writers, serious thought has turn into an immense ingenious source for authors of latest fiction, who've pitched vigorously into debates round the dying of the writer, the loss of life of humanism, the increase of feminism, the emergence of 'hyperreality'. This topical examine examines the bold 'novelizations' of radical literary thought within the paintings of AS Byatt, Angela Carter, Mark Z. Danielewksi, Umberto Eco, John Fowles, David inn, Richard Powers, and so forth. It bargains a complete research of the 'post-theoretical' novel, and lines an alternate heritage of the 'theory wars' within the pages of contemporary literary fiction. learn more... creation: Fiction in(to) thought -- The Structuralist Novel -- From Structuralism to Dialogics -- The tradition Wars and past -- The Vanishing writer -- Foucauldian Fictions -- Feminism as opposed to Poststructuralism -- felony symptoms: homicide in idea -- the unconventional in Hyperreality -- end: Fiction After concept
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Extra resources for Contemporary fiction and the uses of theory : the novel from structuralism to postmodernism
On the other hand, to put it this way is to risk taking literary intellectuals almost as seriously as they take themselves, and recent US campus fiction roundly satirizes those academics who imagine that the future of the west hangs on their next conference paper or job interview. Departments of literature in these novels can thus appear as apocalyptic intellectual battlegrounds or as talking shops with delusions of grandeur, depending on the novelist’s changing angle of vision. Many of the leading combatants in the culture wars – including Alan Bloom, Harold Bloom, Jacques Derrida, Henry Louis Gates Jr, Gerald Graff, 41 42 Contemporary Fiction and Uses of Theory Geoffrey Hartman, Julia Kristeva, J.
However, when Zapp repeats this performance in Amsterdam he is roundly heckled and when he repeats it again at the MLA he has become a distinctly half-hearted deconstructionist: his lecture seems to be subject to a frustrating law of diminishing returns, as though what seemed revolutionary in Rummidge can only appear as tired and obvious in From Structuralism to Dialogics 31 New York. Significantly, the MLA conference also provides the venue for Angelica’s sophisticated feminist interpretation of romance, which argues strongly for a female erotics of reading, and which therefore implicitly challenges and revises the unacknowledged phallocentric bias of Zapp’s model of textuality (322–3).
Such debates are by no means confined to departments of literature, or even to academic culture at large, but campus novelists of this period frequently use the professional in-fighting of literary academics as a convenient shorthand for wider controversies. Often explicitly harking back to the academic comedies of David Lodge, prominent US campus novelists of recent years – including Sandra Gilbert and Susan Gubar, David Damrosch, James Hynes, Richard Powers, John L’Heureux and Perceval Everett – find that the small worlds of literature departments are both the best and worst microcosms for culture at large.
Contemporary fiction and the uses of theory : the novel from structuralism to postmodernism by Michael Greaney; Palgrave Connect (Online service)