Read e-book online Cosmopolis PDF

By Don DeLillo

ISBN-10: 0330524933

ISBN-13: 9780330524933

Eric Packer is a twenty-eight-year-old multi-billionaire asset supervisor. We subscribe to him on what's going to turn into a very eventful April day in turn-of-the-twenty-first-century long island. He's on a private odyssey, to get a haircut. Sitting in his stretch limousine because it strikes throughout city, he unearths the town at a digital standstill as the President is traveling, a rapper's funeral is continuing, and a violent protest is being staged in instances sq. through anti-globalist teams. such a lot worryingly, Eric's bodyguards are involved that he could be a aim ...An electrifying research in affectlessness, infused with deep cynicism and measured detachment; a harsh indictment of the life-denying traits of capitalism; as brutal a dissection of the yankee dream as Wolfe's "Bonfire" or Ellis' "Psycho", "Cosmopolis" is a caustic prophecy all too fast realized.

---
Uploader unencumber Notes:
Retail EPUB, contains TOC/chapters
---

Show description

Read Online or Download Cosmopolis PDF

Best postmodernism books

Get The Anti-Aesthetic: Essays on Postmodern Culture PDF

A good-looking new version of the seminal selection of late-twentieth-century cultural feedback. Named a top ebook of the 12 months via the Village Voice and regarded a bible of latest cultural feedback, The Anti-Aesthetic is reissued now in a good-looking new paperback version. For the prior two decades, Hal Foster has driven the bounds of cultural feedback, constructing a vantage element from which the doubtless disparate agendas of artists, consumers, and critics have a telling coherence.

Read e-book online The Politics of Postmodernism (New Accents) PDF

Carrying on with the venture all started within the Poetics of Postmodernism, Linda Hutcheon specializes in the politics of illustration. either mass media and excessive paintings kinds, she demanding situations the seeming transparency and obvious apolitical innocence of our visible pictures and verbal tales, saying that those build instead of replicate or exhibit our adventure of the area.

Joseph Francese's Narrating Postmodern Time and Space PDF

Francese defines postmodern writing and distinguishes it from modernist prose by means of bringing up the examples of 2 sleek and 3 postmodern authors: Italo Calvino, John Barth, Toni Morrison, E. L. Doctorow, and Antonio Tabucchi. whereas the modernist narratives of Calvino and Barth try and assimilate what's different, the postmodern narratives of Morrison, Doctorow, and Tabucchi realize diversities that can't be assimilated, as a substitute looking for exterior, communicative assets of authentication.

Read e-book online Scapeland : writing the landscape from Diderot's Salons to PDF

Scapeland: Writing the panorama from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary research tracing theories of the elegant and a background of spectatorship from Diderot's eighteenth-century French Salons, via artwork feedback via Baudelaire and Breton, to Jean-François Lyotard's postmodern exhibition Les Immatériaux.

Extra info for Cosmopolis

Example text

In addition, it is crucial to remember that even in early, ‘standard’ Gothic works, the social or discursive aspect of the genre is quite central, functioning as a site of ‘abjection’ as Julia Kristeva would call it, for the fears, desires and anxieties that form the dark underbelly of contemporary culture. Kristeva argues that ghosts and ‘monsters’, or to use her term, ‘grotesques’, were purposefully originated in Gothic works to embody the contradictions and ambiguities of our beings: those obstacles to subjective knowledge and the creation of coherent identity.

Lyotard’s conception of postmodernism has a significant bearing on this claim, firstly in relation to his theories on terror and the postmodern sublime or unrepresentable, but also as this study is founded on an acceptance of his view that the development of postmodernism did not lead to the death of modernism but that, on the contrary, they exist in literature contemporaneously and that a return to high modernism is still possible, its project being incomplete (Lyotard 1986 xvi, 72). Derrida’s deconstructive view of genre and his theories on hauntology are extremely relevant, as the forthcoming analyses by and large take a poststructuralist approach to literature and genre definition.

Thus, he claims that identity in our postmodern hyperreal universe ‘is untenable: it is death, since it fails to inscribe its own death’ (Baudrillard 1994, 4). He goes on to add another profound insight when he claims that: ‘the cemetery no longer exists because modern cities have taken over their function: they are ghost towns, cities of death. If the great operational metropolis is the final form of an entire culture, then, quite simply, ours is a culture of death’ (Baudrillard 1993, 127). Through postmodernity this ‘king of terrors’ has achieved a new and more complex manifestation.

Download PDF sample

Cosmopolis by Don DeLillo


by John
4.4

Rated 4.95 of 5 – based on 36 votes