Read e-book online Cyborg Theatre: Corporeal Technological Intersections in PDF

By J. Parker-Starbuck

ISBN-10: 0230245838

ISBN-13: 9780230245839

ISBN-10: 0230306527

ISBN-13: 9780230306523

This booklet articulates the 1st theoretical context for a 'cyborg theatre,' metaphorically integrating on-stage our bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers various examples, to suggest new theoretical instruments for realizing functionality in our altering global.

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Extra info for Cyborg Theatre: Corporeal Technological Intersections in Multimedia Performance (Performance Interventions)

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4 As the Golem grows, BACKspace: Historical/Theoretical Intersections 23 it too becomes violent and must be stopped, but the threat of creating artificial life remains. The Golem/Frankenstein story recurs throughout history both literally, as a Golem narrative (for example, Marge Piercy’s novel He, She, and It, or as episodes in both The Simpsons and The X-Files), and in broader outline as the basis for the more complex cyborgean interchanges between bodies and technologies. Like many of the examples that follow, Frankenstein emerges during a time of technological changes interwoven through conflicts between science and religion; the early nineteenth century marks the beginning of the Scientific and the Industrial Revolution, and the advent of new technologies such as electric light and steam-powered machines provides the technological specificity that guides the narrative.

The Golem/Frankenstein story recurs throughout history both literally, as a Golem narrative (for example, Marge Piercy’s novel He, She, and It, or as episodes in both The Simpsons and The X-Files), and in broader outline as the basis for the more complex cyborgean interchanges between bodies and technologies. Like many of the examples that follow, Frankenstein emerges during a time of technological changes interwoven through conflicts between science and religion; the early nineteenth century marks the beginning of the Scientific and the Industrial Revolution, and the advent of new technologies such as electric light and steam-powered machines provides the technological specificity that guides the narrative.

Foreshadowing innovations in reproductive technologies and predicting possibilities of AI, the play’s reversal also restores the human/nature ˇ apek’s sudden utopic ending. ” The human finds salvation in knowing the robots have achieved a (heteronormative) human status, prompting Case to comment that, “the heteronormative solution to the play reveals that no matter how radical the social and scientific perspective of the playwright, the principles of sexual difference and heteronormativity still hold as determining elements” (2007: 101).

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Cyborg Theatre: Corporeal Technological Intersections in Multimedia Performance (Performance Interventions) by J. Parker-Starbuck


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